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- <text id=92TT1861>
- <title>
- Aug. 17, 1992: Reviews:Books
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1992
- Aug. 17, 1992 The Balkans: Must It Go On?
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- REVIEWS, Page 66
- BOOKS
- Lava Soap
- </hdr><body>
- <p>By R.Z. Sheppard
- </p>
- <qt>
- <l>TITLE: THE VOLCANO LOVER</l>
- <l>AUTHOR: Susan Sontag</l>
- <l>PUBLISHER: Farrar Straus Giroux; 415 pages; $22</l>
- </qt>
- <p> THE BOTTOM LINE: A postmodern pot unexpectedly boils over.
- </p>
- <p> Long before the U.S. lost its trade balance, it was
- lopsided with intellectual goods from Europe. Marx, Freud,
- Sartre and Levi-Strauss were required cribbing. Books translated
- from the French and German were best sellers and their authors
- culture heroes. So were their interpreters. As a critic and
- novelist, Susan Sontag handled European ideas and forms with
- brilliance and style. The camera loved her dark good looks, and
- she became an American knockoff of the Continental intellectual
- as gravely seductive celebrity. The brain, she said on at least
- one occasion, is an erogenous zone.
- </p>
- <p> The Volcano Lover, her fifth work of fiction, is a mild
- cerebral aphrodisiac. It is the sort of book that Sontag would
- probably call determinedly middlebrow. Her publisher, eager to
- start a buzz, compares it to "the postmodern potboilers of
- Umberto Eco and A.S. Byatt."
- </p>
- <p> The subject is the scandalous romance of the late 18th
- century's hottest couple: Lord Nelson, Britain's greatest naval
- hero, and Lady Emma Hamilton, the empire's most luscious pinup--and wife of diplomat Sir William Hamilton. The story has
- usually been told from the straightforward missionary--not to
- say colonial--position. The Alexander Korda version, That
- Hamilton Woman, starring Vivien Leigh and Laurence Olivier, was
- Winston Churchill's favorite movie.
- </p>
- <p> Sontag creamily shifts perspective. The hero and his
- mistress are egoists gone on fame and oblivious to the welfare
- of the masses. Off the poop deck, Nelson is an unimposing
- shrimp. Without her billowing satins, Emma the society swan is
- grossly overstuffed. Most of the action takes place in Naples,
- where nearby Mount Vesuvius huffs and puffs. It is a natural
- wonder, but also an unavoidable symbol of molten passion and the
- republican revolution that erupts in France and spreads south.
- </p>
- <p> Royalty and privilege are threatened. So too is a genteel
- culture represented by Sir William, British envoy to the
- decadent Neapolitan court. A collector of antiquities and an
- amateur scihe occasions Sontag's heavier musings. Unfortunately,
- he is too underpowered to be the principal vehicle in a
- historical tour de force. Making a cameo appearance, Goethe
- dismisses him as "a simple-minded epicurean."
- </p>
- <p> Eventually Sontag also sours on Sir William's detachment
- and bloodless pleasures. In fact, all three members of this
- famous love triangle are abruptly damned in an operatic epilogue
- about male-dominated class structures and the challenges of
- feminism. The message is unexceptionable but jarring. Perhaps
- Sontag, like Vesuvius, simply blew her top. More likely, the
- outburst was calculated to amplify an otherwise low-key
- narrative and convince readers that the author is not only
- postmodern but also politically correct.
- </p>
-
- </body></article>
- </text>
-
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